29 August – 4 October 2025
The Institute Exhibition
Institutului Combinatul Fondului Plastic
Strada Băiculești nr. 29, sectorul 1, București
The installation—in its visual and immersive dimensions—evokes both the memory and contemporary life of urban courtyards and socialist balconies, suggesting ways in which past and present are interlaced. It traces their historical transformations as a resilient genealogy of care.
Video by Adrian Câtu
The installation is based on the original research of architect Iulia Stătică. It draws on two documentary sources: ethnographic and archival research by Iulia Stătică, in collaboration with visual anthropologist Adrian Câtu, and photographs by the artist Ion Grigorescu. In collaboration with architect Tao DuFour, this body of research has been shaped into a curatorial project.
THE FIRST ROOM
The first room is structured around two metaphoric fragments, which reference the space and material sensibility of enclosed (post)socialist balconies. Originally a pragmatic and illegal spatial tactic to extend storage space while allowing some level of heat retention in the winter months, through their enclosure balconies were translated by intuitive horticultural practices into intimate gardens motivated by feminine gestures of self- and environmental care. Apartment balconies, which typically overlooked expansive urban courtyards, became spatial and experiential thresholds—intimate gardens where women tended plants in acts of care that served as ways of remembering—daughters remembering mothers, grandmothers
—including the spatio-environmental horizons of memory. Each installation fragment—reimagined balconies—indicates these practices in relation to filmic projections of interior spaces of apartments, and exterior landscapes of urban courtyards. The filmic projections bring the interior domestic spaces that extend into the balconies and the exterior landscapes onto which they look out, cinematically into the space of the exhibition. They give the room its visual and aural texture, constituting the atmospheric skin of these intimate gardens and their dilation through the framing of the balconies into the urban courtyards.

Structured in two spatially distinct though conceptually related rooms, the exhibition unfolds as a deliberate sequence—shifting from an atmospheric reconstruction of lived experience to an archival and memorial evocation of the historical transformations of the past, and their reverberations in the present.
THE SECOND ROOM
This room is articulated by photographic archival images. It invites the viewer to enter imaginatively into the historicity of the present and traces a genealogy of care through Bucharest’s evolving urban courtyards, foregrounding the transformation of domestic life under the socialist regime. Before the widespread demolitions of the 1970s, homes and gardens formed and articulated a deeply rooted urban fabric—spaces of continuity, community, and care. These were systematically erased to make way for socialist apartment blocks, creating new, often desolate, yet inhabited domestic landscapes. Historical photographs—taken just prior to demolition and sourced from personal family archives in 2020 by the exhibition’s curators—offer rare glimpses into these lost domestic worlds.
In dialogue with this personal archival material are photographs by artist Ion Grigorescu from the 1980s, capturing life in the liminal spaces between newly built blocks. Taken during the early years of socialist urban reconstruction, his images mark a transitional moment: from loss and rupture toward quiet adaptation, improvisation, and the re-emergence of care. One enters the present through the past, here both as an act of critique and contemplation. Through the lens of Ion Grigorescu, whose images possess a critical-archival quality, the first room opens onto the present, documenting the contemporary intimacies of domesticity as intergenerational acts of care.

Vlaicu Vodă, Bucharest
Photo Ion Grigorescu, 1994

Balta Albă
Photo Ion Grigorescu, 1980

New apartment blocks in the Berceni neighborhood
Ion Grigorescu, 1975

Courtyard between Rahova and 11 Iunie
Photo Ion Grigorescu, 1994
